Birmingham Museum and Art Gallery Location Birmingham Museum of Art Alabama
 Oscar Wells Memorial archway to the museum | |
 | |
| Established | Apr 1951 |
|---|---|
| Location | 2000 Rev. Abraham Forest Jr. Blvd. North (formerly 8th Avenue Due north) Birmingham, Alabama, US |
| Coordinates | 33°31′xix″N 86°48′37″W / 33.52195°N 86.81018°Due west / 33.52195; -86.81018 |
| Type | Municipal art museum |
| Director | Graham Boettcher |
| Website | www |
Albert Bierstadt'southward Looking Down Yosemite Valley from 1865 is a highlight of the museum's collection of American paintings.
The Birmingham Museum of Art is a museum in Birmingham, Alabama. It has one of the most extensive collections of artwork[ citation needed ] in the Southeastern Us, with more than than 24,000 paintings, sculptures, prints, drawings, and decorative arts representing numerous cultures, including Asian, European, American, African, Pre-Columbian, and Native American. Amongst other highlights, the museum's collection of Asian art is considered the finest[ by whom? ] and most comprehensive in the Southeast, and its Vietnamese ceramics i of the finest in the US.[ by whom? ] The museum also is home to a collection of Renaissance and Bizarre paintings, sculpture, and decorative arts from the tardily 13th century to c.1750.
The Birmingham Museum of Art is owned past the City of Birmingham and encompasses 3.9 acres (16,000 chiliad2) in the heart of the city'south cultural commune. Erected in 1959, the present building was designed by architects Warren, Knight and Davis, and a major renovation and expansion by Edward Larrabee Barnes of New York was completed in 1993. The facility encompasses 180,000 square feet (17,000 ktwo), including an outdoor sculpture garden.
The museum is part of the Monuments Men and Women Museum Network, launched in 2021 past the Monuments Men Foundation for the Preservation of Art.[1]
Collection highlights [edit]
Carving of Parshvanatha, India, 950 CE
A Chinese wine vessel (hu) from 350 BC
African fine art [edit]
The museum's growing drove of nearly two,000 objects is derived from the major culture groups of sub-Saharan Africa and dates from the twelfth century to the present. The collection features fine examples of figure sculpture, masks, ritual objects, article of furniture and household and utilitarian objects, textiles, ceramics and metal arts, with an Egyptian faux door, Yoruba mask, Benin statuary hip pendant, and a divination portrait of a rex from Dahomey.
American art [edit]
Spanning the belatedly 18th through mid-20th century, the museum's collection of American painting, sculpture, works on paper, and decorative arts features paintings by Gilbert Stuart, Childe Hassam, and Georgia O'Keeffe; sculptures by Hiram Powers and Frederic Remington; and of import decorative pieces by Tiffany Studios and Frank Lloyd Wright. Considered 1 of the three most important American landscape paintings, the museum's Looking Down Yosemite Valley, California (1865) by Bierstadt was chosen by the National Endowment for the Humanities as i of 40 American masterpieces that all-time depict the people, places, and events that have shaped America and tell its story.[ citation needed ]
Art of Alabama [edit]
Since its doors opened to the public in 1951, the Birmingham Museum of Art has collected and exhibited the art of Alabama. Amongst the earliest works to enter the collection were paintings by significant Alabama artists including the miniaturist Hannah Elliott and the landscapist Carrie Hill. Throughout its history, the museum has connected its commitment to the arts of Alabama. In 1995, information technology organized Fabricated in Alabama, a groundbreaking survey of artistic product in the land during the 19th century. In addition to collecting the works of academically trained native artists, the museum has built an impressive collection of folk fine art, including painting, sculpture, quilts, and pottery. Thanks to the generosity of Robert and Helen Cargo, the museum possesses ane of the largest and almost comprehensive collections of Southern quilts in the country. Similarly, several major private collectors are helping the museum build the most significant repository of Alabama pottery in the state.
Asian art [edit]
The museum'due south Asian art collection started with a gift of Chinese textiles in 1951, Today, with more than than 4,000 objects, is the largest and most comprehensive in the Southeast. The drove hails from Cathay, Korea, Japan, India, and Southeast Asia, featuring the finest collection of Vietnamese ceramics in the US, likewise every bit outstanding examples of Buddhist and Hindu fine art, lacquer ware, ceramics, paintings, prints, and sculpture. Highlights include a rare Ming dynasty temple wall and Tang dynasty tomb figures from Mainland china; Jomon menstruation pottery from Japan; and contemporary works such equally The 1000 Residence, considered by Chinese painter Wu Guanzhong among his most important works. Too, on long-term loan from The Smithsonian Institution is the Vetlesen Jade Collection of 16th- to 19th-century pieces, 1 of the nigh important jade collections in the U.s.. The museum has the only gallery for Korean fine art in the Southeast.
Contemporary art [edit]
The collection features painting, sculpture, video, photography, works on paper, and installation fine art that illuminate movements and trends from the 1960s to the nowadays, ranging from artists such as Joan Mitchell, Andy Warhol, Beak Viola, Lynda Benglis, Cham Hendon, Kerry James Marshall, Callum Innes, Grace Hartigan, Larry Rivers, Louise Nevelson, Frank Fleming and Philip Guston, to a generation of artists that are defining the new century. The Modern and Contemporary Art collection too contains work past photographers William Christenberry, Robert Frank, Duane Michals, Gordon Parks, and Philip Trager, too as images from the civil rights era by Danny Lyon, Spider Martin, Chris McNair, Charles Moore, and Wayne Sides.[ii]
Folk art [edit]
Since 2009, a permanent brandish of folk fine art has featured works by Bill Traylor, Thornton Punch, Alabama'due south outstanding quilters, and other self-taught artists. The Robert Cargo Folk Art Collection was donated to the museum in 2013.[3]
European art [edit]
Amid the highlights of the European fine art holdings is the Kress Drove of Renaissance Fine art, featuring Renaissance and Baroque paintings, sculpture and decorative arts dating from the tardily 13th century to c.1750, with works past Pietro Perugino, Antonio Canaletto, and Paris Bordone. Other strengths include 17th-century Dutch paintings by Jacob van Ruisdael, Ferdinand Bol, and Balthasar van der Ast; British 18th-century painting, with portraits by Thomas Gainsborough and Thomas Lawrence; and 18th- and 19th-century French paintings by Francois-Hubert Drouais, Jean-Baptiste Oudry, Mary Cassatt, Gustave Courbet, and Jean-Baptiste-Camille Corot.
European decorative arts [edit]
One of the foundations of the museum'southward permanent drove, the European decorative arts comprise more than than 12,000 objects including ceramics, glass, and piece of furniture dating from the Renaissance to present day. Notable holdings include the simply public collection of belatedly 19th-century European bandage iron items in the US and the Eugenia Woodward Hitt Collection of 18th-century French fine art, including furniture of the Louis Xiv, XV, and XVI periods, mounted porcelain, gilt bronzes, paintings, and works on paper from the Regénce to the period following the French Revolution. The Dwight and Lucille Beeson Wedgwood Collection is the finest outside England, comprising more than 1,400 objects illustrating the unabridged production of the Wedgwood manufactory from its early on years through the 19th century.
Native American art [edit]
The museum features a large installation of Native American arts. The galleries are organized into iv cultural groupings co-ordinate to region: Eastern Woodlands, Plains, Northwest Declension, and Southwest. Highlights of the collection include a large grouping of fine Navajo blankets and rugs, an all-encompassing collection of Northwest coast fine art, and of import historic and contemporary Pueblo ceramics. There also are excellent examples of Plains beadwork and stunning shaman headdresses.
Pre-Columbian art [edit]
The collection features stunning objects from Meso-America, Central America, and the Northern Andes. Highlights from Meso-America include Zapotec ceramics, objects related to the abortion, Maya figure sculpture, ceramics and jewelry, Aztec stone sculpture, and West Mexican figural tomb sculpture. Cultures of ancient Republic of costa rica, Guatemala, and Panama are well represented: works include gold jewelry, metates, censors, volcanic rock figure sculpture, and ceramics. Northern Andean objects include Sican ceremonial gold vessels and tumi, ceramics from the Moche, Chimu, Chancay, and Vicus cultures, Incan keros and mummy masks, and Peruvian textiles.
The Charles W. Republic of ireland Sculpture Garden [edit]
One of the most distinctive spaces for the display of outdoor art in the southeastern United States, this cute multi-level sculpture garden features works past artists such every bit Fernando Botero, Jacques Lipchitz and Auguste Rodin as well as three site-specific artworks deputed past the Museum: Lithos II (1993) by Elyn Zimmerman, a water wall and pool of textured granite blocks prepare into the curving eastward wall of the garden; Blueish Pools Courtyard (1993) by creative person Valerie Jaudon, featuring inlaid tile pools, plantings, and brick and bluestone pavers; and Sol LeWitt's Bands of Color in Various Directions, deputed in 2001 in celebration of the museum's 50th anniversary.
The Clarence B. Hanson Jr. Library [edit]
Named for Clarence Bloodworth Hanson Jr., old publisher of the Birmingham News and a Birmingham Museum of Art board fellow member for 24 years, the museum's library is one of the well-nigh comprehensive fine art enquiry libraries in the southeastern US. Holdings include a broad range of materials including full general fine art reference works, auction catalogues, artists' files, periodicals, indexes, exhibition catalogs, and databases. The Chellis Wedgwood Library, the largest and most comprehensive special collection in the world related to Josiah Wedgwood and his manufactures, along with the Beeson rare book holdings, make this the United states center for the written report of Wedgwood. Among these holdings are letters from John Flaxman and Benjamin West, and Sir William Hamilton's collection of engravings from antique vases, known equally the Hamilton Folios, the first European color-plate books.
History [edit]
=Birmingham Art Club [edit]
The roots of the museum date back to 1908 and the founding of the "Birmingham Fine art Club which endeavored to amass a public fine art collection for the benefit of the citizens of Birmingham, which had been founded as a new industrial metropolis only 37 years prior. In 1927 they were able to display their collection in the galleries of the new Birmingham Public Library. Over the next two decades the lodge continued to add together to the collection and raise support in the printing and in City Hall for the concept of a new edifice.
First exhibition [edit]
In September 1950 a governing board was created to oversee the creation of a museum as "an institution of public service, educational and recreational, with all the people welcome." The post-obit February the board hired Richard Foster Howard to serve as the first museum director. In Apr 1951 the newly established Birmingham Museum of Art presented a public "Opening Exhibition" housed in five unused rooms in Metropolis Hall. The exhibition included some pieces from the existing Art Society collection as well equally a large number of loaned works from museums across the Eastern one-half of the United States. The result was considered to be "the finest showing of great objects of fine art in the Due south to appointment."[ citation needed ]
New edifice [edit]
North public archway off the west fly of the museum
The publicity created by the exhibition led to several important gifts, notably of Chinese ceramics and textiles, Japanese prints, old master prints, costumes, glass, and oil paintings. In 1952 the Samuel H. Kress Foundation presented 29 paintings from the Italian Renaissance every bit a long-term loan to the new museum, forming the cadre of the collection of European paintings. A big heritance in 1954 fabricated possible a new museum building. Country was purchased the following yr and a design commission for a new museum building was given to the function of Warren Knight & Davis. The Oscar Wells Memorial Building opened to the public on May iii, 1959. In the post-obit years the Kress Foundation made two important gifts to the museum: the trusteeship of a collection of Renaissance furniture and decorative objects in 1959, and the deed to the Italian paintings already on loan, along with eight boosted works from the same catamenia. The following year, the American Cast Atomic number 26 Piping Visitor loaned its Lamprecht Collection of German cast-iron objects (the largest in the world).
Expansions [edit]
A level of upper flooring galleries was added to the building's w fly in 1965. In 1967 a new east wing was completed. Additional land was purchased in 1969, and in 1974 some other improver included a iii-story rebuilding of the east wing. Farther reworking of the east fly added a conservation lab, loading dock, and a second public entrance to the edifice in 1979, and the following yr, gallery infinite was expanded by 28,000 foursquare feet (two,600 thou²). In 1986 another expansion projection was planned and builder Edward Larrabee Barnes, in conjunction with local architect KPS Group, Inc., was selected to oversee the design, which included provision for a new outdoor sculpture garden and 50,000 foursquare feet (5,000 m²) of exhibition infinite bringing the total to 180,000 square anxiety (xv,400 m²).
Encounter also [edit]
- North American Reciprocal Museums
References [edit]
- Howard, Helen Boswell and Richard Foster Howard. (April 1951). Catalogue of the Opening Exhibition. Birmingham Museum of Art: Birmingham, Alabama. Apr 8 through June 3, 1951.
- Birmingham Museum of Art. (1993) Masterpieces East & West from the collection of the Birmingham Museum of Art. Birmingham, Alabama: Birmingham Museum of Art. ISBN 0-931394-38-iv
- ^ "A New Museum Network Is Focusing On the Monuments Men'south Long-Overlooked Postwar Cultural Contributions". Artnet News. 2021-06-17. Retrieved 2021-07-14 .
- ^ Birmingham Museum of Fine art, Modern and Contemporary Art Collection: Description summary reference. (March 21, 2018). "The Hugh Kaul Curator of Modern and Gimmicky Art". Clan of Fine art Museum Directors. Archived from the original on 2021-11-17. Retrieved 2021-11-17 .
- ^ Callis, Sarah Grace (2020-11-24). "Damballah or St. Patrick: Haitian Vodou in Birmingham". Magic Urban center Religion. Archived from the original on 2020-11-24. Retrieved 2021-11-09 .
External links [edit]
- Official website
olivareswashe1945.blogspot.com
Source: https://en.wikipedia.org/wiki/Birmingham_Museum_of_Art
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